Kamelya posits a widening between X, the tangible self, and Y, the self as constructed by others in absence. So, as Kenneth X proceeds forth in changing or not, engages in processes of reconfiguration to which I am not privy, shifts Ginas X and Y around in himself like the wandering cups of a cheap bra, Kenneth Y is mine, and divergent. My Kenneth Y is premised on the last Kenneth X to which I had access, and also the warping forces of:
- Nostalgia. Anne says “Memory is created by what we need in the moment3” and I realize (too late) that the mind is a lie.
- Imagination. I imagine, in rapid fluctuation:
- He is unwell.
- He is well.
- He is exceptionally well.
- He hates me, thinks I’m bad, but this is unendurable, so I solace myself with half-well, as in:
- I wish him well.
- But too, not so quick to sweep our sweet parts away.
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Even if any number of these notions resemble the reality of Kenneth X, they are like another person with coincidental eyes. Kenneth was as hairless as a dolphin when we met, and at last
check a hair on his nipple measured four inches taut. He’d shed when we made love, the considerate chest wafting hair into the lulls between my ribs; the sweat of me held on so that my torso was a landscape, by the end.
I won strange competitions as a kid. My teachers seemed to nominate the small marketable bug of me for, once, a timed Lego build. In a conference room I received a hard-hat that warbled on my head like half a dinosaur egg, I received a heap of Legos and aluminum foil and perhaps other bits like string, and local media and parents spectated benevolently from the walls
while I built a space shuttle with very careful attendance to the tools of propulsion. I showed the judges rockets, foil gas tensed to spew. I thought stasis was the worst sin, too. I got a check, which my mom put in the bank for a later date.
Meaning-making me can, with some confidence, envisage what some iterations of Kenneth might have built: the crashed plane
on his childhood property4. A bike5. This is not to say he mightn’t deviate from mimicry, devotion to the small; he would just as likely build the outrageous bust of an alien glutting itself on spaghetti.
“You’re a fucking freak,” Kenneth X wrote on my 27th birthday card. “And I love it.”
In all these iterations, he’s adored.
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